"Concerti a più istrumenti in C Major, Op. 6 No. 10, I. Allegro" by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi was released on October 23, 2008. The duration of Concerti a più istrumenti in C Major, Op. 6 No. 10, I. Allegro is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concerti a più istrumenti in C Major, Op. 6 No. 10, I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in C Major, Op. 6 No. 10, I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in C Major, Op. 6 No. 10, I. Allegro by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : I Largo | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 1 | 12B | 128 BPM | ||
Concerto for Violin in G Minor, BWV 1056r: III. Presto | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3 No 1, HWV 312: II. Largo - 2014 Remaster | George Frideric Handel, August Wenzinger, Cappella Coloniensis des WDR | F♯ Minor | 3 | 11A | 93 BPM | ||
Concerto For Cello No. 1 In C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | A Major | 1 | 11B | 97 BPM |
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