"Scaramouche, Suite for 2 Pianos: 2. Modéré" by Darius Milhaud, Katia Labèque, Marielle Labèque was released on January 1, 1991. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Poulenc/Milhaud: Concerto in D minor for 2 Pianos/Scaramouche etc.". In this album, this song's track order is #11. Scaramouche, Suite for 2 Pianos: 2. Modéré is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scaramouche, Suite for 2 Pianos: 2. Modéré by Darius Milhaud, Katia Labèque, Marielle Labèque having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Concerto pour violoncelle et orchestre: Sonate 1-2-3 (attaca) | Michel Legrand, Henri Demarquette | E♭ Major | 2 | 5B | 176 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Cortege | Lili Boulanger, Olivier Charlier, Emile Naoumoff | E Major | 3 | 12B | 108 BPM | ||
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": IV. Allegro. Andante. Adagio | Leoš Janáček, Melos Quartet | A♭ Minor | 1 | 1A | 98 BPM | ||
Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | ||
Clarinet Concertino in C Minor / E-Flat Major, Op. 26, J. 109 | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | E♭ Major | 0 | 5B | 103 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM |
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