"Encina: Más vale trocar, Villancico (No. 201 from "Cancionero de Palacio"): "Más vale trocar plazer por dolores"" by Juan del Encina, The Hilliard Ensemble, Paul Hillier had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Encina: Más vale trocar, Villancico (No. 201 from "Cancionero de Palacio"): "Más vale trocar plazer por dolores"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #13. Encina: Más vale trocar, Villancico (No. 201 from "Cancionero de Palacio"): "Más vale trocar plazer por dolores" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Encina: Más vale trocar, Villancico (No. 201 from "Cancionero de Palacio"): "Más vale trocar plazer por dolores" by Juan del Encina, The Hilliard Ensemble, Paul Hillier having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances: Almayne | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Major | 1 | 9B | 180 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Susato: 12 Dances from the Danserye: II. Branle Quatre - Bransles | Tylman Susato, Early Music Consort Of London | G Major | 2 | 9B | 64 BPM | ||
The Song called Trumpets | Robert Parsons, The Rose Consort Of Viols | E Major | 0 | 12B | 112 BPM | ||
Li noviaus tens | Chastelain de Couci, James Bowman, Early Music Consort Of London, David Munrow | C Major | 1 | 8B | 171 BPM | ||
Vilana, Che Sa Tu Far? | Piffaro, The Concord Ensemble | G Major | 1 | 9B | 108 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Dances: Galliard [12] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 0 | 8B | 158 BPM | ||
Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | ||
Welscher Tantz Wascha mesa - Hupfauff | Hans Neusidler, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | C Major | 3 | 8B | 86 BPM |