Monsieur de Sainte-Colombe, Silvia De Rosso's 'Manuscrit de Tournus: Prélude 17' came out on August 25, 2023. With Manuscrit de Tournus: Prélude 17 being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Monsieur de Sainte-Colombe, Silvia De Rosso's "Monsieur de Sainte-Colombe: Recueil de pièces pour basse de viole seule (From the Manuscrit de Tournus, ca. 1690 - World Premiere Recordings)" album is number 14 out of 35. On top of that, Italy appears to be the country where this track was created. Manuscrit de Tournus: Prélude 17 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manuscrit de Tournus: Prélude 17 by Monsieur de Sainte-Colombe, Silvia De Rosso to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Ciaccona, Op. 23 | Maurizio Cazzati, Musica Antiqua Latina | D♭ Major | 2 | 3B | 95 BPM | ||
Chiacona per la lettera B | Giovanni Battista Vitali, Tragicomedia, Paul O'Dette | B Major | 1 | 1B | 114 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |
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