Fritz Kreisler, Mela Tenenbaum, Richard Kapp's '3 Old Viennese Dances: II. Liebesleid' came out on June 27, 2014. The duration of 3 Old Viennese Dances: II. Liebesleid is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. 3 Old Viennese Dances: II. Liebesleid's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Top 50 Most Popular Classical Violin". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 3 Old Viennese Dances: II. Liebesleid's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Old Viennese Dances: II. Liebesleid by Fritz Kreisler, Mela Tenenbaum, Richard Kapp having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid - Arr. for Cello and Piano: Liebeslied | Fritz Kreisler, Heinrich Schiff, Samuel Sanders | A Major | 0 | 11B | 92 BPM | ||
Caprice viennois, Op. 2 | Fritz Kreisler, Joshua Bell, Paul Coker | B Major | 1 | 1B | 137 BPM | ||
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 176 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
3 Old Viennese Dances: Kreisler - Liebesleid | Sergei Rachmaninoff, Idil Biret | D♭ Major | 0 | 3B | 71 BPM | ||
Spohr : Sonata for Cello & Harp in G major Op.115 : III Rondo | Louis Spohr, Helga & Klaus Storck | D Major | 1 | 10B | 116 BPM | ||
Caprice andalous, Op. 122, R. 207 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | D Major | 0 | 10B | 95 BPM | ||
6 Soirées à Saint-Petersbourg, Op. 44: No. 1, Romance in E-Flat Major | Anton Rubinstein, Mela Tenenbaum, Richard Kapp | G Major | 1 | 9B | 165 BPM |
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