"7 Pieces enfantines (7 Children's Pieces): Apres gronderie (After Quarrelling)" by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart was released on June 6, 1994. With 7 Pieces enfantines (7 Children's Pieces): Apres gronderie (After Quarrelling) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 12 in Flem: Symphony No. 4 / Le Grand Jardinier De France / Pour Les Morts by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart, Gilles Nopre. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 7 Pieces enfantines (7 Children's Pieces): Apres gronderie (After Quarrelling)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Pieces enfantines (7 Children's Pieces): Apres gronderie (After Quarrelling) by Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon (Ferdinand Braunroth) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
Calming Adagio | Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai | F♯ Major | 0 | 2B | 142 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
Violin Sonata in G Minor: III. Tres vif | Paul Le Flem, Philippe Koch, Alain Jacquon | C Minor | 1 | 5A | 110 BPM | ||
Concerto for Violin & Orchestra D Major Op.61: Larghetto | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | G Major | 0 | 9B | 101 BPM | ||
I quatro rusteghi (Excerpts): Prelude | Ermanno Wolf-Ferrari, Oviedo Filarmonía, Friedrich Haider | C Major | 0 | 8B | 133 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
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