"Tabula Rasa: I. Ludus" by Arvo Pärt, Jan Söderblom, Tero Latvala, Jouko Laivuori, Tapiola Sinfonietta, Jean-Jacques Kantorow was released on March 31, 1997. Since Tabula Rasa: I. Ludus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Part: Tabula Rasa / Frates / Collage Sur Bach". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Tabula Rasa: I. Ludus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tabula Rasa: I. Ludus by Arvo Pärt, Jan Söderblom, Tero Latvala, Jouko Laivuori, Tapiola Sinfonietta, Jean-Jacques Kantorow having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM | ||
A Hudson Cycle | Nico Muhly, Lavinia Meijer | B♭ Minor | 0 | 3A | 92 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
Quavers 5 | Howard Skempton, John Tilbury | D Major | 0 | 10B | 104 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM |
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