"Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato" by Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin was released on March 1, 2024. Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Sibelius 2 & 5". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Based on our statistics, Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato by Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fugata (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Falstaff, Act III: Finale. "Tutto nel mondo è burla" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Miklos Rozsa: Hungarian Serenade - V. Danza - HD | Miklós Rózsa, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | D Major | 2 | 10B | 97 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Pelleas und Melisande, Op. 5: Die ? ein wenig bewegt | Arnold Schoenberg, Edward Gardner, Bergen Philharmonic Orchestra | C Major | 1 | 8B | 83 BPM | ||
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: VI. The Chase | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F♯ Minor | 2 | 11A | 107 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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