"Concert for Clarinet and Chamber Orchestra: I. Allegro Moderato" by Lyubomir Pipkov, Sofia Philharmonic Orchestra, Ruslan Raychev, Atanas Kolev was released on 2011. Since Concert for Clarinet and Chamber Orchestra: I. Allegro Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lyubomir Pipkov, Sofia Philharmonic Orchestra's "Lyubomir Pipkov: Orchestral Works" album is number 4 out of 6. On top of that, Bulgaria appears to be the country where this track was created. In terms of popularity, Concert for Clarinet and Chamber Orchestra: I. Allegro Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert for Clarinet and Chamber Orchestra: I. Allegro Moderato by Lyubomir Pipkov, Sofia Philharmonic Orchestra, Ruslan Raychev, Atanas Kolev to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Prayer for Peace - From "Munich" | The City of Prague Philharmonic Orchestra | E Minor | 2 | 9A | 85 BPM | ||
Bulgarian Suite, Op. 2: III. Allegro Ritmico | Lyubomir Pipkov, Vesko Stambolov | E Minor | 2 | 9A | 102 BPM | ||
Stars Above Us | León van der Stadt | E♭ Major | 1 | 5B | 74 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 1: Introduzione (Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 95 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): 2. Barbe-Bleu - La Fille du Tambour-Majeur | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 89 BPM | ||
Симфония № 3: Ritornello I - Tempo Di Marcia - Andante | Lyubomir Pipkov, Софийска държавна филхармония, Димитър Манолов | B♭ Minor | 4 | 3A | 70 BPM | ||
II. Tempo di Valse | Antonín Dvořák, Ross Pople, London Festival Orchestra | C Major | 0 | 8B | 171 BPM | ||
Shudder | Jelani Aryeh | D Major | 8 | 10B | 198 BPM | ||
Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
Carnival of the Animals: IV. Tortoises | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 65 BPM |
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