Marco Vezzoso made "Resta in Camera Bi" available on April 1, 2014. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marco Vezzoso's "Jazz a Porter" album is number 4 out of 10. On top of that, Italy appears to be the country where this track was created. Resta in Camera Bi is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Resta in Camera Bi by Marco Vezzoso to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lookin' For | Pino Presti | E♭ Major | 2 | 5B | 118 BPM | ||
Jazz Is Life | Jazzy Boy | B♭ Minor | 7 | 3A | 135 BPM | ||
Pink Skies | Zane Goodman, Beatrix Bea | C Major | 2 | 8B | 120 BPM | ||
Swatin | Douglas Brown | B Major | 4 | 1B | 84 BPM | ||
Anémone Soufrée | Jorg Schneider | A Minor | 2 | 8A | 153 BPM | ||
To be Continued | Jan Harbeck Quartet | B♭ Minor | 1 | 3A | 68 BPM | ||
My Little Suede Shoes | Saori Yano | F Minor | 5 | 4A | 122 BPM | ||
Till There Was You | Super-Trio | F Major | 4 | 7B | 107 BPM | ||
Sofà | Urban Quartet, Max Ionata | A Minor | 3 | 8A | 62 BPM | ||
Small Place | Alexandre Roux-Dufort | C Minor | 2 | 5A | 158 BPM |
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