"Tango milonga y final: Milonga de Junio" by María Isabel Siewers, Maximo Diego Pujol was released on 2006. With this song being about 5 minutes long, at 4:55, "Tango milonga y final: Milonga de Junio" by María Isabel Siewers, Maximo Diego Pujol is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Tango, Milonga Y Final". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Argentina. Tango milonga y final: Milonga de Junio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tango milonga y final: Milonga de Junio by María Isabel Siewers, Maximo Diego Pujol having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
36 Capricci, Op. 20: No. 11 | Luigi Legnani, Yuki Saito | G Major | 2 | 9B | 129 BPM | ||
Concerto for 2 Guitars & Orchestra: I. Allegro | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM | ||
Grande Sonata (For guitar with violin accompaniment): Andantino variato | Niccolò Paganini, Amiram Ganz, María Isabel Siewers | A Major | 2 | 11B | 162 BPM | ||
Iberia / Book 1: No. 1, Evocación (Arr. Laura Lootens for Solo Guitar) | Isaac Albéniz, Laura Lootens | A♭ Minor | 0 | 1A | 136 BPM | ||
36 Caprices, Op. 20: No. 24, Allegro Molto | Luigi Legnani, Lucio Matarazzo | A♭ Minor | 2 | 1A | 78 BPM | ||
Musica per Menocchio "For Alberto Mesirca": No. 1, Il Formaggio e i Vermi | Jim ten Boske, Alberto Mesirca | A♭ Major | 0 | 4B | 135 BPM | ||
Schlummerlied | María Isabel Siewers | D Major | 0 | 10B | 84 BPM | ||
Junto Al Generalife | Joaquín Rodrigo, Kovács Beatrix | F♯ Minor | 2 | 11A | 100 BPM | ||
Fairy Sketches: Queen Mab | Catharina Josepha Pratten, Heike Matthiesen | A Major | 1 | 11B | 174 BPM | ||
Spielmusik: IX. Scherzo | Hermann Ambrosius, Duo Imbesi Zangarà | G Major | 3 | 9B | 128 BPM |
Section: 0.5895450115203857
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