Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure)
Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger
Koechlin: Les Heures Persanes, Op. 65Bis
3:37 January 1, 2007
BPM
72
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure) - Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger Information

Acousticness
95%
Danceability
8%
Energy
0%
Instrumentalness
94%
Liveness
30%
Loudness
28%
Speechiness
4%
Valence
4%
Popularity
Loudness
-43.392 dB

Summary

"Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on January 1, 2007. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 1 out of 16. On top of that, Germany appears to be the country where this track was created. Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure) BPM

We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Les Heures persanes (Persian Hours), Op. 65bis: I. Sieste, avant le depart (Siesta, before departure) Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gaspard de la nuit, M. 55: I. Ondine by Maurice Ravel, Martha ArgerichGaspard de la nuit, M. 55: I. OndineMaurice Ravel, Martha ArgerichD♭ Major03B72 BPM
L'Arlésienne Suite No.1: Adagietto by Georges Bizet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: AdagiettoGeorges Bizet, Berliner Philharmoniker, Herbert von KarajanF Major07B112 BPM
Scenes de la foret, Op. 123: No. 1. Nocturne by Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, membersScenes de la foret, Op. 123: No. 1. NocturneMel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, membersA♭ Major04B131 BPM
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento by Ottorino Respighi, Konstantin Scherbakov3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto LentoOttorino Respighi, Konstantin ScherbakovA♭ Minor01A70 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento by Alexander Scriabin, Evgeny Zarafiants5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: LentoAlexander Scriabin, Evgeny ZarafiantsA Minor08A129 BPM
Liebeslied Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1)Franz Liszt, Angela HewittG Major09B63 BPM
5 Pieces, Op. 75, 5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch)Jean Sibelius, Håvard GimseE♭ Major05B64 BPM
Schließe mir die Augen beide by Alban Berg, Daniel Hope, Simon Crawford-PhillipsSchließe mir die Augen beideAlban Berg, Daniel Hope, Simon Crawford-PhillipsC Major08B117 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
ISRC
DEA550407878
Label
L-M Records/RCA Records

Section: 0.5771608352661133

End: 0.5820639133453369