"Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings)" by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria was released on May 6, 2016. With this song being about 5 minutes long, at 5:13, "Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings)" by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Nystedt & J.S. Bach: Meins Lebens Licht". In this album, this song's track order is #17. Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings) by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Natt över jorden | Karin Rehnqvist, Maria Magdalena Chamber Choir, Mats Nilsson | D Minor | 0 | 7A | 81 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | D Major | 0 | 10B | 69 BPM | ||
Geirr Tveitt / Håkon Berge: Vé no velkomne med æra | Geirr Tveitt, Elisabeth Holte, Uranienborg Vokalensemble | D♭ Minor | 1 | 12A | 79 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Limu, limu, lima | Hugo Alfvén, Mikaeli Chamber Choir, Anders Eby | F Minor | 0 | 4A | 97 BPM | ||
Eli, Eli | Georgius Bardos, Landesjugendchor Schleswig-Holstein, Matthias Janz | C Minor | 0 | 5A | 82 BPM |
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