Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German) - Wolfgang Amadeus Mozart, Josef Mysliveček, Elisabeth Grümmer, Hans Altmann Information

Acousticness: 98%
Danceability: 22%
Energy: 20%
Instrumentalness: 4%
Liveness: 11%
Loudness: 72%
Speechiness: 5%
Valence: 5%
Popularity: 0%
Loudness: -16.66 dB

Summary

"Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German)" by Wolfgang Amadeus Mozart, Josef Mysliveček, Elisabeth Grümmer, Hans Altmann was released on May 28, 2013. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Elisabeth Grümmer, Kurt Peter Eichhorn, Horst Stein's "Great Singers Live: Elisabeth Grümmer" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German) BPM

We consider the tempo marking of Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German) by Wolfgang Amadeus Mozart, Josef Mysliveček, Elisabeth Grümmer, Hans Altmann to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Ridente la calma (arr. W.A. Mozart for voice and piano, K. 152/210a) (Sung in German) Key

The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
4 Pieces, Op. 51: 2. Prélude	Alexander Scriabin, Evgeny Kissin	F Major	0	7B	75 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	B♭ Major	0	6B	0 BPM
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile	Eder Quartet	C Major	0	8B	65 BPM
Sonata No. 15 in C Major, III. Rondo	Maria João Pires	C Major	2	8B	98 BPM
Sinfonia in D Major, BWV 1045: I. Allegro	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl	D Major	3	10B	98 BPM
Gaîté parisienne: Barcarolle	Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	82 BPM
Gavotte (Paride ed Elena)	Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio	A Major	0	11B	98 BPM
Divertimento In D Major KV 334: Menuetto	Florian Heyerick, Hca, Jacob Händel, Schwetzingen, Olga Nodel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim	D Major	1	10B	148 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	147 BPM

ISRC: DELW71230803
Label: L-M Records/RCA Records

Section: 0.6169071197509766

End: 0.6203165054321289