Lonnie Johnson made "What a Difference a Day Makes" available on June 1, 1993. The duration of What a Difference a Day Makes is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. What a Difference a Day Makes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Complete Folkways Recordings". In this album, this song's track order is #16. Based on our statistics, What a Difference a Day Makes's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With What a Difference a Day Makes by Lonnie Johnson having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
That Lonesome Road | Lonnie Johnson | D Major | 1 | 10B | 89 BPM | ||
None of My Jelly Roll | Sweet Emma Barrett | G Major | 3 | 9B | 138 BPM | ||
After You've Gone (Alternate Take) | Joe Venuti, Eddie Lang | D Minor | 1 | 7A | 63 BPM | ||
Roll 'Em Pete | Big Joe Turner | G Minor | 4 | 6A | 95 BPM | ||
I Can't Believe | Lonnie Johnson | G Major | 3 | 9B | 94 BPM | ||
Little Cow, Little Calf Blues | Skip James | B♭ Major | 1 | 6B | 96 BPM | ||
Black Snake Swing | Victoria Spivey | E♭ Minor | 3 | 2A | 116 BPM | ||
Unfair Blues | Brownie McGhee | B♭ Major | 2 | 6B | 108 BPM | ||
St. Louis Blues | Lonnie Johnson, Elmer Snowden | G Major | 2 | 9B | 168 BPM | ||
Back Door Blues | Kokomo Arnold | D♭ Major | 2 | 3B | 102 BPM |
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