"Suite in the Old Style" by Charles Harford Lloyd, John Reynolds, Rachel Attwell-Ramos was released on 2013. The duration of Suite in the Old Style is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Suite in the Old Style's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 50 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 5 by John Reynolds, Rachel Attwell-Ramos. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suite in the Old Style is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite in the Old Style by Charles Harford Lloyd, John Reynolds, Rachel Attwell-Ramos is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rejoice, the Lord Is King, HWV 286 (Arr. for Choir & Organ) | George Frideric Handel, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | C Major | 2 | 8B | 91 BPM | ||
Psalm 61: Hear my crying, O God [unaccomp.] - 1989 Remastered Version | Samuel Wesley, Choir of King's College, Cambridge, Sir David Willcocks | A♭ Major | 1 | 4B | 90 BPM | ||
Trinity Service: The Lord's Prayer | Jaakko Mäntyjärvi, BYU Singers, Andrew Crane | A♭ Minor | 2 | 1A | 80 BPM | ||
God So Loved the World | Bob Chilcott, BYU Concert Choir, Rosalind Hall | G Minor | 1 | 6A | 62 BPM | ||
Shakespeare Songs, Book 3: I. It was a lover and his lass | Aaron Harris, Phoenix Bach Choir, Charles Bruffy | A♭ Major | 1 | 4B | 67 BPM | ||
No More the Grave | Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | G Major | 2 | 9B | 90 BPM | ||
St. Francis Evening Prayer (Lucernarium): Blessing and Dismissal | Michael Joncas, The Cathedral Singers | E♭ Major | 1 | 5B | 193 BPM | ||
On ilta taas ja päivän pää (Siionin laulu 313) | Seuralaulu, Juliaana Kellokoski | C Minor | 2 | 5A | 70 BPM | ||
Saints of Zion | Jeff Lippencott, Ligonier Festival Orchestra | C Major | 3 | 8B | 128 BPM | ||
There's a Wideness in God's Mercy | John Stainer, Belfast Cathedral Choir, Ian Barber, Philip Stopford | G Major | 2 | 9B | 76 BPM |
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