Norman Dello Joio, Dallas Wind Symphony, Frederick Fennell's ' "Variants on a Mediaeval Tune "In dulce jubilo": Variation 3" was released on its scheduled release date, March 1, 2012. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Trittico". In this album, this song's track order is #8. In terms of popularity, Variants on a Mediaeval Tune "In dulce jubilo": Variation 3 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Variants on a Mediaeval Tune "In dulce jubilo": Variation 3 by Norman Dello Joio, Dallas Wind Symphony, Frederick Fennell having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Trial at Rouen: Scene II: "Fear not, daughter of France, thy saints draw near, Joan of Lorraine"" | Norman Dello Joio, Boston Modern Orchestra Project, Heather Buck, Stephen Powell, Luke Scott, Gil Rose | F♯ Major | 2 | 2B | 188 BPM | ||
Air Power Suite: Mission in the Sky | Norman Dello Joio, Eugene Ormandy, The Philadelphia Orchestra Pops | F Major | 3 | 7B | 72 BPM | ||
Kingfishers Catch Fire: I. Following falls and falls of rain | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 73 BPM | ||
Fantasia in G Major | Timothy Mahr, College of New Jersey Wind Ensemble, William Silvester | G Major | 4 | 9B | 92 BPM | ||
3 Preludes on Welsh Hymn Tunes: II. Rhosymedre (Arr. for Wind Band) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | B♭ Major | 2 | 6B | 112 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM | ||
Valdres March | Johannes Hanssen, Eastman Wind Ensemble, Frederick Fennell | A♭ Major | 5 | 4B | 97 BPM | ||
Carmen Fantasy - IV. Habenera: (Bizet) | Joseph Alessi | B♭ Major | 0 | 6B | 114 BPM |