"Nocturne in E-Flat Major, Op. 9 No. 2" by Frédéric Chopin, Philippe Entremont was released on 1966. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Essential Chopin". In this album, this song's track order is #9. Based on our statistics, Nocturne in E-Flat Major, Op. 9 No. 2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nocturne in E-Flat Major, Op. 9 No. 2 by Frédéric Chopin, Philippe Entremont having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | ||
Nocturne in C-Sharp Minor, Op. Posth. | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 73 BPM | ||
Polonaise In B-Dur Für Violine Und Streicher D 580 (Schubert) | Accademia Bizantina, Carlo Chiarappa | B♭ Major | 1 | 6B | 110 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | C Minor | 1 | 5A | 74 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Philippe Entremont | C Minor | 2 | 5A | 65 BPM | ||
Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 58 BPM | ||
Humoresque | Antonín Dvořák, James Galway, Charles Gerhardt | D Minor | 2 | 7A | 155 BPM | ||
Overture to The Barber of Seville | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 94 BPM | ||
II. Air | Berlin Chamber Orchestra, Helmut Koch | G Major | 2 | 9B | 172 BPM |
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