"Five Preludes (1998 Digital Remaster): No. 3 in A minor" by Heitor Villa-Lobos, Julian Byzantine was released on April 14, 2008. Since Five Preludes (1998 Digital Remaster): No. 3 in A minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Guitar Classics, so we believe that "Five Preludes (1998 Digital Remaster): No. 3 in A minor" is a single. Based on our statistics, Five Preludes (1998 Digital Remaster): No. 3 in A minor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Five Preludes (1998 Digital Remaster): No. 3 in A minor by Heitor Villa-Lobos, Julian Byzantine is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Ilusiones perdidas (Lost Dreams) | Ignacio Cervantes, Alvaro Cendoya | E♭ Minor | 0 | 2A | 113 BPM | ||
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Valse-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 90 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Valsa de esquina No. 8 | Francisco Mignone, Gustavo Tavares, Nelson Faria | E Minor | 1 | 9A | 200 BPM | ||
Mourao | Clóvis Pereira, César Guerra-Peixe, Orquestra Sinfônica do Estado de São Paulo, Roberto Minczuk | G Major | 2 | 9B | 105 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM |
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