"Courante for the Entry of His Imperial Majesty and All the Cavalry" by Johann Heinrich Schmelzer, Vienna Art of Trumpet, Leonhard Leeb was released on August 12, 2004. The duration of Courante for the Entry of His Imperial Majesty and All the Cavalry is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Courante for the Entry of His Imperial Majesty and All the Cavalry's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vienna Art of Trumpet's "Imperial Fanfares" album is number 15 out of 76. Courante for the Entry of His Imperial Majesty and All the Cavalry is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Courante for the Entry of His Imperial Majesty and All the Cavalry by Johann Heinrich Schmelzer, Vienna Art of Trumpet, Leonhard Leeb to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata con tribus violinis (1677) | Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra | D♭ Major | 0 | 3B | 125 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata - 'Victori der Christen' (c. 1683-84): VII. Victori der Christen | Johann Heinrich Schmelzer, Romanesca, Andrew Manze | A Minor | 0 | 8A | 82 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: II. Fantaisie | Marin Marais, Ensemble Amalia | E♭ Minor | 1 | 2A | 103 BPM |
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