"St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus)" by Johann Sebastian Bach, Elisabeth Grümmer, Marga Höffgen, Sir Peter Pears, John Van Kesteren, Hans Hotter, Kieth Engen, Anton Nowakowski, Margarete Scharitzer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on July 1, 2015. St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) appears to be safe for all ages as it is not explicit. The track order of this song in Johann Sebastian Bach, Eugen Jochum's "J.S. Bach: Johannes-Passion (1960)" album is number 1 out of 40. On top of that, United States appears to be the country where this track was created. Based on our statistics, St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) by Johann Sebastian Bach, Elisabeth Grümmer, Marga Höffgen, Sir Peter Pears, John Van Kesteren, Hans Hotter, Kieth Engen, Anton Nowakowski, Margarete Scharitzer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Goldberg Variations, BWV 988: Aria da capo | Johann Sebastian Bach, Glenn Gould | G Major | 0 | 9B | 128 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | F Major | 2 | 7B | 77 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM |
Section: 0.7252058982849121
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