Andrés Segovia, Felix Mendelssohn's 'Lied ohne Worte (Song without Words), Book 1, Op. 19: No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (arr. A. Segovia): Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 6 in G Minor, "Venezianisches Gondellied" (arr. A. Segovia)' came out on 1955. The duration of Lied ohne Worte (Song without Words), Book 1, Op. 19: No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (arr. A. Segovia): Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 6 in G Minor, "Venezianisches Gondellied" (arr. A. Segovia) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Lied ohne Worte (Song without Words), Book 1, Op. 19: No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (arr. A. Segovia): Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 6 in G Minor, "Venezianisches Gondellied" (arr. A. Segovia)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Art of Segovia, Vol. 2 (1952-1955)". In this album, this song's track order is #1. In terms of popularity, Lied ohne Worte (Song without Words), Book 1, Op. 19: No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (arr. A. Segovia): Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 6 in G Minor, "Venezianisches Gondellied" (arr. A. Segovia) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Lied ohne Worte (Song without Words), Book 1, Op. 19: No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (arr. A. Segovia): Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 6 in G Minor, "Venezianisches Gondellied" (arr. A. Segovia) by Andrés Segovia, Felix Mendelssohn having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fandanguillo - Recording 1949 | Joaquín Turina, Andrés Segovia | A Minor | 0 | 8A | 88 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM | ||
Passacaglia - Remastered | Andres Segovia Torres, Andrés Segovia | A Minor | 3 | 8A | 76 BPM | ||
Triptico: 3. La Negra | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 90 BPM | ||
Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed by Segovia, transposed to E major: 5. Gavotte 1 & 2 | Johann Sebastian Bach, Andrés Segovia | E Major | 2 | 12B | 74 BPM | ||
L'organiste, FWV 41: Quasi lento | César Franck, Andrés Segovia | E Major | 0 | 12B | 107 BPM | ||
Domenico Scarlatti: Sonata L.352 | Domenico Scarlatti, Andrés Segovia | F♯ Minor | 0 | 11A | 80 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Zambra Granadina | Isaac Albéniz, Andrés Segovia | A Major | 1 | 11B | 132 BPM |
Section: 0.7243540287017822
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