Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis's 'Pomp And Circumstance March No 1' came out on August 3, 2007. Pomp And Circumstance March No 1 is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 7 out of 17. Pomp And Circumstance March No 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pomp And Circumstance March No 1 by Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
God Save The King (British National Anthem) | Traditional, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | B Major | 3 | 1B | 139 BPM | ||
The Legend of the Wind - from 'Nausicaä of the Valley of the Wind' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Wedgwood Blue | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | B♭ Major | 2 | 6B | 128 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Flower Duet | Léo Delibes, Richard Kapp | C Major | 0 | 8B | 72 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM |
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