"Stabat mater in C Major: Sancta mater" by Emanuele d'Astorga, Ann Monoyios, Thomas Hengelbrock was released on August 16, 1996. The duration of Stabat mater in C Major: Sancta mater is about 3 minutes long, at 3:16. Based on our data, "Stabat mater in C Major: Sancta mater" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. The popularity of Stabat mater in C Major: Sancta mater is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat mater in C Major: Sancta mater by Emanuele d'Astorga, Ann Monoyios, Thomas Hengelbrock is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Der Mensch, vom Weibe geboren | Johann Christoph Bach, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 109 BPM | ||
Te deum, LWV 55: VII. Tu ad dexteram Dei sedes | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
The Lord is a sun and a shield: No. 5, Chorus "Blessed be the Lord God of Israel" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Minor | 1 | 8A | 84 BPM | ||
Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
Solomon HWV 67 / Act 1: "Welcome as the dawn of day" | George Frideric Handel, Andreas Scholl, Inger Dam-Jensen, Gabrieli, Paul McCreesh | B♭ Minor | 1 | 3A | 80 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM |
Section: 1.1290557384490967
End: 1.1331472396850586