- BPM
- 133
- Key
- G Major
- Camelot
- 9B
Préludes - Book 2, L.123: 1. Brouillards - Live - Claude Debussy, Krystian Zimerman Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 1%
- Instrumentalness
- 77%
- Liveness
- 5%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 10%
- Loudness
- -33.239 dB
Summary
"Préludes - Book 2, L.123: 1. Brouillards - Live" by Claude Debussy, Krystian Zimerman had its release date on November 18, 1993. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 24 in Debussy: Preludes by Claude Debussy, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Préludes - Book 2, L.123: 1. Brouillards - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Préludes - Book 2, L.123: 1. Brouillards - Live BPM
The tempo marking of Préludes - Book 2, L.123: 1. Brouillards - Live by Claude Debussy, Krystian Zimerman is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Préludes - Book 2, L.123: 1. Brouillards - Live Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM | |
 | Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | |
 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | |
 | Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |
- ISRC
- DEF059131501
- Label
- L-M Records/RCA Records