Johann Sebastian Bach, Avi Avital's 'Partita No. 2 for Solo Violin in D Minor, BWV 1004 (Arr. Avital for Mandolin): II. Courante - Live' came out on March 22, 2024. The duration of Partita No. 2 for Solo Violin in D Minor, BWV 1004 (Arr. Avital for Mandolin): II. Courante - Live is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Partita No. 2 for Solo Violin in D Minor, BWV 1004 (Arr. Avital for Mandolin): II. Courante - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Avi Avital: The Verbier Recital (Live) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Partita No. 2 for Solo Violin in D Minor, BWV 1004 (Arr. Avital for Mandolin): II. Courante - Live's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Partita No. 2 for Solo Violin in D Minor, BWV 1004 (Arr. Avital for Mandolin): II. Courante - Live by Johann Sebastian Bach, Avi Avital is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Concerto Grosso Op. 6 No. 4 : IV. Giga Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 3 | 3B | 146 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 3. Andante sostenuto | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
2 Arabesques, L. 66: No. 1, Andante con moto (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E Minor | 0 | 9A | 104 BPM | ||
Mandolin Concerto in G Major, S. 28: III. Rondo. Allegro (Cadenza: A. Avital) | Avi Avital, Johann Nepomuk Hummel, Il Giardino Armonico, Giovanni Antonini | G Major | 3 | 9B | 158 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Die Walküre, WWV 86B: Magic Fire Music (Arr. Solo Piano by Brassin) - Dc 517_nan | Richard Wagner, Alfred Grünfeld, Peter Phillips | B Major | 0 | 1B | 128 BPM | ||
Moods, Op. 73 (Arr. Achron for Violin & Piano): II. Scherzo-Impromptu | Edvard Grieg, Arnon Erez, Hagai Shaham | B♭ Major | 2 | 6B | 171 BPM |
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