On April 15, 2022, the song "24 Preludes, Op. 34 (Excerpts Arr. B. Hainaut for Bassoon & Piano): No. 15, Allegretto" was released by Dmitri Shostakovich, Lola Descours, Paloma Kouider. With 24 Preludes, Op. 34 (Excerpts Arr. B. Hainaut for Bassoon & Piano): No. 15, Allegretto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 15 in Bassoon Steppes by Lola Descours, Paloma Kouider. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 24 Preludes, Op. 34 (Excerpts Arr. B. Hainaut for Bassoon & Piano): No. 15, Allegretto's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 24 Preludes, Op. 34 (Excerpts Arr. B. Hainaut for Bassoon & Piano): No. 15, Allegretto by Dmitri Shostakovich, Lola Descours, Paloma Kouider is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Moderato in A Minor for Cello and Piano, Op. 40a | Dmitri Shostakovich, Emmanuelle Bertrand, Pascal Amoyel | E♭ Major | 1 | 5B | 96 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 7 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 0 | 8B | 62 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): V. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 86 BPM | ||
24 Preludes & Fugues, Op. 87: No. 21a, Prelude in B-Flat Major | Dmitri Shostakovich, Tatiana Nikolayeva | B♭ Major | 1 | 6B | 148 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 8 in F-Sharp Minor: Allegretto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM |
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