Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken made "Concert XLIV: Tombeau les regrets - Joye des Elizées - Les Elizées" available on October 1, 2011. With Concert XLIV: Tombeau les regrets - Joye des Elizées - Les Elizées being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sainte Colombe: Concerts à deux violes esgales". In this album, this song's track order is #19. Concert XLIV: Tombeau les regrets - Joye des Elizées - Les Elizées is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Concert XLIV: Tombeau les regrets - Joye des Elizées - Les Elizées by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Concert LXVI: Tombeau. Les Regrets | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | B♭ Minor | 1 | 3A | 153 BPM | ||
Cello Sonata No. 1 in G Minor: I. Grave | Domenico Gabrielli, Roel Dieltiens, Richte Van Der Meer, Konrad Junghanel | F♯ Major | 0 | 2B | 79 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
The First Part of Ayres: Captaine Humes Pavan | Tobias Hume, John Dornenburg | F♯ Minor | 0 | 11A | 74 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM |
Section: 0.7299439907073975
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