Jane Russell, Marilyn Monroe made "Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes"" available on January 1, 2001. With this song being about 5 minutes long, at 4:49, "Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes"" by Jane Russell, Marilyn Monroe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marilyn Monroe's "Marilyn Monroe" album is number 7 out of 20. In terms of popularity, Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes" is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes" by Jane Russell, Marilyn Monroe to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
This World Is Not My Home | Jane Russell | C Major | 3 | 8B | 143 BPM | ||
Bye Bye Birdie (Reprise) | Ann-Margret | A Major | 6 | 11B | 114 BPM | ||
Wouldn't It Be Loverly - Voice | Marni Nixon | F Major | 1 | 7B | 118 BPM | ||
Let Me Call You Sweetheart | Patti Page, The Sentimental Pops Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
People Will Say We're in Love (Excerpts From "Oklahoma!") | Gordon Macrae | A♭ Major | 3 | 4B | 134 BPM | ||
I Had the Craziest Dream | Harry James, Hellen Forrest | D♭ Major | 1 | 3B | 76 BPM | ||
How Long Has This Been Going On? | Audrey Hepburn | B♭ Major | 1 | 6B | 116 BPM | ||
Getting Married Today (From "Company") | Madeline Kahn, Mark Jacoby, Jeanne Lehmann | F♯ Major | 4 | 2B | 125 BPM | ||
Daddy | Jane Russell, Jeanne Crain | E♭ Major | 5 | 5B | 96 BPM | ||
It;s A Woman's Prerogative | Pearl Bailey | B♭ Major | 1 | 6B | 106 BPM |
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