Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johanette Zomer, Pino de Vittorio, Hans-Jörg Mammel's 'La Villanella, Prima parte, Pensieri amorosi: Ite sospiri miei' came out on 2001. With La Villanella, Prima parte, Pensieri amorosi: Ite sospiri miei being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 5 out of 100. The popularity of La Villanella, Prima parte, Pensieri amorosi: Ite sospiri miei is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Villanella, Prima parte, Pensieri amorosi: Ite sospiri miei by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johanette Zomer, Pino de Vittorio, Hans-Jörg Mammel to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in C Minor from Pieces de luth Premier Liure: VII. La belle Angloise Gigue | Charles Mouton, Anders Ericson | B Minor | 2 | 10A | 88 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
Passacalles per l'alfabeto falso e per tutte le lettere | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 1 | 10B | 126 BPM |
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