All the Things You Are
Jerome Kern, Kirby Shaw, Opus 4, S. Pham, I. Muschka, D. Kleinke, R. Moritz
Voices
1:38 June 20, 1998
BPM
80
Key
D Minor
Camelot
7A

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All the Things You Are - Jerome Kern, Kirby Shaw, Opus 4, S. Pham, I. Muschka, D. Kleinke, R. Moritz Information

Acousticness
99%
Danceability
36%
Energy
6%
Instrumentalness
97%
Liveness
11%
Loudness
58%
Speechiness
3%
Valence
47%
Popularity
Loudness
-25.214 dB

Summary

Jerome Kern, Kirby Shaw, Opus 4, S. Pham, I. Muschka, D. Kleinke, R. Moritz made "All the Things You Are" available on June 20, 1998. With All the Things You Are being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Voices by Opus 4. The song's track number on the album is #2 out of 26 tracks. Based on our data, Germany was the country where this track was produced or recorded. All the Things You Are is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

All the Things You Are BPM

Since All the Things You Are by Jerome Kern, Kirby Shaw, Opus 4, S. Pham, I. Muschka, D. Kleinke, R. Moritz has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With All the Things You Are being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

All the Things You Are Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
DEFC39900243
Label
L-M Records/RCA Records

Section: 0.5204617977142334

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