"verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. The duration of verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #2 out of 55 tracks. The popularity of verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus) being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell / Act 1: "E il ciel seren, sereno il giorno" | Gioachino Rossini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | G Major | 1 | 9B | 76 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
Stabat Mater: Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 3 | 7B | 82 BPM | ||
L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 95 BPM |
Section: 0.7177996635437012
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