"The Diary of Adam and Eve: Go to Sleep, Whatever You Are" by Jerry Bock, Barbara Harris, Elliot Lawrence was released on 1966. With The Diary of Adam and Eve: Go to Sleep, Whatever You Are being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Apple Tree (Original Broadway Cast Recording)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, The Diary of Adam and Eve: Go to Sleep, Whatever You Are is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Diary of Adam and Eve: Go to Sleep, Whatever You Are by Jerry Bock, Barbara Harris, Elliot Lawrence having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture | Thoroughly Modern Millie Orchestra, Michael Rafter | A♭ Major | 4 | 4B | 113 BPM | ||
When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
Tomorrow Belongs to Me (Reprise) | Michele Pawk, Denis O'Hare, Cabaret Ensemble (1998) | B♭ Major | 2 | 6B | 111 BPM | ||
Drink With Me | Aaron Tveit, Eddie Redmayne, Daniel Huttlestone, Students | F Major | 0 | 7B | 129 BPM | ||
Practically Perfect - London Cast Recording | Charlotte Spencer as Jane Banks, Laura Michelle Kelly as Mary Poppins, Harry Stott as Michael Banks | D Major | 1 | 10B | 103 BPM | ||
Show People | The Original Broadway Cast Of 'Curtains' | G Major | 3 | 9B | 115 BPM | ||
C'est moi - Lancelot | Frances Nero, Lee Herschberg | C Major | 2 | 8B | 93 BPM | ||
You Don't Know This Man | Carolee Carmello | C Minor | 3 | 5A | 89 BPM | ||
Wonderful, Wonderful Day | Jane Powell | F Major | 1 | 7B | 106 BPM | ||
Annie: We'd Like to Thank You, Herbert Hoover | Charles Strouse, Annie Ensemble, Peter Howard | C Major | 3 | 8B | 131 BPM |
Section: 0.48983001708984375
End: 0.49495458602905273