"6 Consolations, S. 172 - Transcription for Violin: Nathan Milstein: No. 3 In D Flat Major (Lento, placido)" by Franz Liszt, Nathan Milstein, Georges Pludermacher was released on January 1, 2006. The duration of 6 Consolations, S. 172 - Transcription for Violin: Nathan Milstein: No. 3 In D Flat Major (Lento, placido) is about 3 minutes long, at 3:15. Based on our data, "6 Consolations, S. 172 - Transcription for Violin: Nathan Milstein: No. 3 In D Flat Major (Lento, placido)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Violin Concertos & Encores". In this album, this song's track order is #10. In terms of popularity, 6 Consolations, S. 172 - Transcription for Violin: Nathan Milstein: No. 3 In D Flat Major (Lento, placido) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Consolations, S. 172 - Transcription for Violin: Nathan Milstein: No. 3 In D Flat Major (Lento, placido) by Franz Liszt, Nathan Milstein, Georges Pludermacher having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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