Johann Sebastian Bach, Michael Goldschlager made "Suite for Solo Cello No. 3 in C Major, BWV 1009: IV. Sarabande" available on October 27, 2023. The duration of Suite for Solo Cello No. 3 in C Major, BWV 1009: IV. Sarabande is about 3 minutes long, at 3:19. Based on our data, "Suite for Solo Cello No. 3 in C Major, BWV 1009: IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Mellow Cello" album is number 32 out of 33. On top of that, Australia appears to be the country where this track was created. The popularity of Suite for Solo Cello No. 3 in C Major, BWV 1009: IV. Sarabande is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite for Solo Cello No. 3 in C Major, BWV 1009: IV. Sarabande by Johann Sebastian Bach, Michael Goldschlager to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM |
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