On October 10, 2008, the song "Perpetuum Mobile Op. 257 (musikalischer Scherz)" was released by Johann Strauss Orchester. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Neujahrskonzert". In this album, this song's track order is #3. Based on our statistics, Perpetuum Mobile Op. 257 (musikalischer Scherz)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Perpetuum Mobile Op. 257 (musikalischer Scherz) by Johann Strauss Orchester having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, III parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 9, Wedding March | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | C Major | 2 | 8B | 67 BPM | ||
Shchedrin: Carmen Suite: II. Dance (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D Minor | 3 | 7A | 109 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
Le Domino noir, S. 30: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 3 | 8B | 108 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
La Rejouissance (From the Royal Fireworks) | California DJ | B♭ Major | 3 | 6B | 110 BPM | ||
Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
Die Puppenfee (The Fairy Doll): No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM |