- BPM
- 92
- Key
- F Major
- Camelot
- 7B
Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) - Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse Information
- Acousticness
- 96%
- Danceability
- 28%
- Energy
- 3%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 49%
- Speechiness
- 5%
- Valence
- 10%
- Popularity
- 9%
- Loudness
- -30.848 dB
Summary
"Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo)" by Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse had its release date on 2003. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) BPM
The tempo marking of Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) by Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Carmen, Act III, No.24 Finale: Toréador en garde! (Escamillo) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | |
 | Romeo and Juliette, Act I: Ah qu'elle est belle!... Écoutez! Écoutez! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | |
 | Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM | |
 | Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | |
 | Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM | |
| Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | |
 | L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM | |
 | Dich, teure halle from Tannhäuser - Vocal | Richard Wagner, Zubin Mehta, New York Philharmonic | E Minor | 1 | 9A | 87 BPM | |
 | Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM |
- ISRC
- GBAYC0203282
- Label
- L-M Records/RCA Records