"Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen)" by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. With this song being about 5 minutes long, at 4:38, "Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen)" by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #3 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen) by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: V. March of the Trolls: Allegro Marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
Aida: Preludio | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | B Minor | 1 | 10A | 137 BPM |
Section: 0.7350809574127197
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