- BPM
- 136
- Key
- B♭ Minor
- Camelot
- 3A
Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse - Antonín Dvořák, New Stockholm Chamber Orchestra, Paavo Berglund Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 8%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 3%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -17.697 dB
Summary
"Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse" by Antonín Dvořák, New Stockholm Chamber Orchestra, Paavo Berglund was released on October 31, 1989. Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Tchaikovsky / Dvorak: String Serenades". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse BPM
With Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse by Antonín Dvořák, New Stockholm Chamber Orchestra, Paavo Berglund having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
Serenade für Streicher, Op. 22, B. 52: II. Tempo di valse Key
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | |
 | Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | |
 | Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | |
 | Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | |
 | Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | |
 | Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | |
 | Hungarian Dance No.2 in D minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | D Minor | 1 | 7A | 119 BPM | |
 | Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | |
 | Elegie: O doux printemps d'autrefois | Jules Massenet, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 114 BPM |
- ISRC
- SEAEC8943060
- Label
- L-M Records/RCA Records
Section: 0.7713851928710938
End: 0.7750053405761719