Capriccio (d'après le Bal Masqué) for 2 Pianos - Francis Poulenc, Katia Labèque, Marielle Labèque Information

Acousticness: 99%
Danceability: 45%
Energy: 15%
Instrumentalness: 92%
Liveness: 8%
Loudness: 65%
Speechiness: 4%
Valence: 11%
Popularity: 3%
Loudness: -20.722 dB

Summary

"Capriccio (d'après le Bal Masqué) for 2 Pianos" by Francis Poulenc, Katia Labèque, Marielle Labèque was released on January 1, 1991. With this song being about 5 minutes long, at 4:57, "Capriccio (d'après le Bal Masqué) for 2 Pianos" by Francis Poulenc, Katia Labèque, Marielle Labèque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Poulenc/Milhaud: Concerto in D minor for 2 Pianos/Scaramouche etc.". In this album, this song's track order is #7. Based on our statistics, Capriccio (d'après le Bal Masqué) for 2 Pianos's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Capriccio (d'après le Bal Masqué) for 2 Pianos BPM

With Capriccio (d'après le Bal Masqué) for 2 Pianos by Francis Poulenc, Katia Labèque, Marielle Labèque having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Capriccio (d'après le Bal Masqué) for 2 Pianos Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso	Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit	D Major	1	10B	110 BPM
Deuxieme livre, Suite en Mi: X. Tambourin	Jean-Philippe Rameau, Alexander Paley	A Major	1	11B	130 BPM
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo	Karol Szymanowski, Krystian Zimerman	G Minor	0	6A	78 BPM
Davidsbündlertänze, Op. 6: No. 2. Innig	Robert Schumann, Boris Giltburg	B Major	0	1B	70 BPM
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano)	Germaine Tailleferre, Eric Le Sage	F♯ Minor	1	11A	94 BPM
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a	Béla Bartók, Zoltán Kocsis	F♯ Minor	0	11A	62 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Descriptions automatiques: III. Sur un casque	Erik Satie, Francis Poulenc	G Major	3	9B	145 BPM
Pas trop vite	Germaine Tailleferre, Cristina Ariagno	D♭ Minor	0	12A	76 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana	Ottorino Respighi, Konstantin Scherbakov	B Minor	0	10A	197 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.1990814208984375

End: 1.2040841579437256