"Magnificat" by Arvo Pärt, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough had its release date on March 3, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "O Sacrum Convivium". In this album, this song's track order is #5. Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat by Arvo Pärt, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Statuit ei Dominus | Arvo Pärt, Sinfonietta Riga, Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis | D Minor | 1 | 7A | 83 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Vocal | Max Richter, Peter Gregson | F Major | 1 | 7B | 80 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM |