"Sete cantigas d'amor de D. Dinis: II. A tal estado m'adusse, senhor" by Martin Codax, Theatre Of Voices, Paul Hillier was released on August 8, 2006. With this song being about 5 minutes long, at 4:46, "Sete cantigas d'amor de D. Dinis: II. A tal estado m'adusse, senhor" by Martin Codax, Theatre Of Voices, Paul Hillier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 30 in Cantigas by Paul Hillier, Theatre Of Voices, Andrew Lawrence-King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sete cantigas d'amor de D. Dinis: II. A tal estado m'adusse, senhor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sete cantigas d'amor de D. Dinis: II. A tal estado m'adusse, senhor by Martin Codax, Theatre Of Voices, Paul Hillier is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Cantigas de Santa Maria, No. 159: Non Sofre Santa Maria | Alfonso X El Sabio, Esther Lamandier | B Minor | 1 | 10A | 108 BPM | ||
Cançó del Lladre | Martin Codax, Anna Jagielska, Marek Toporowski | D Major | 1 | 10B | 101 BPM | ||
Calata 3 A La Spagnola | Eduardo Paniagua | B♭ Major | 1 | 6B | 166 BPM | ||
The English Dance Master, Part I: Lull Me Beyond Thee | John Playford, Baltimore Consort | D Minor | 0 | 7A | 48 BPM | ||
Aria | Johann Sebastian Bach, Andrew Lawrence-King | C Major | 0 | 8B | 108 BPM | ||
Cantigas de Amigo Martin Codax: No. 3, Aj Deus se sab’ora meu amigo – cantiga no. 4 | Martin Codax, Anna Jagielska, Marek Toporowski | F Major | 0 | 7B | 96 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sinfonia grave | Salomone Rossi, Capella De La Torre, Katharina Bauml | C Major | 3 | 8B | 84 BPM | ||
Ce fut en mai | Moniot d'Arras, Millenarium | E♭ Major | 1 | 5B | 83 BPM |
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