"Manon Lescaut: Donna Non Vidi Mai" by Jussi Björling, Nils Grevillius, Orchestra Of The Royal Opera, Stockholm was released on March 3, 1931. The duration of Manon Lescaut: Donna Non Vidi Mai is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Manon Lescaut: Donna Non Vidi Mai's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #50. Furthermore, we believe that the track originated from Germany. The popularity of Manon Lescaut: Donna Non Vidi Mai is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut: Donna Non Vidi Mai by Jussi Björling, Nils Grevillius, Orchestra Of The Royal Opera, Stockholm having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 2 | 9B | 173 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Roméo et Juliet: Je veux vivre (Act I - Waltz Song) - 1993 Remastered Version | Charles Gounod, Mady Mesple, Choeurs et Orchestre de l'Opéra National de Paris, Jean-Pierre Marty, Orchestre Et Choeurs Du Theatre National | G Major | 1 | 9B | 108 BPM | ||
The Marriage of Figaro: Part IV, "Contessa, perdono" (Count, Countess, Ensemble) | José van Dam, Mirella Freni, Frederica von Stade, Wiener Philharmoniker, Vienna State Opera Chorus | E♭ Major | 5 | 5B | 68 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Jussi Björling, Nils Grevillius, Stockholm Concert Society Orchestra | A Minor | 2 | 8A | 63 BPM | ||
Verdi's Il Trovatore: Di Quella Pira | Jussi Björling | C Major | 3 | 8B | 127 BPM | ||
O del mio dolce ardor | Christoph Willibald Gluck, Ramón Vargas | G Minor | 1 | 6A | 184 BPM | ||
Wagner: Tannhäuser, Act 3: "Beglückt darf nun dich, o Heimat ich schauen" (Pilger, Elisabeth, Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
Torna a Surriento | Ernesto de Curtis, José Carreras, English Chamber Orchestra, Edoardo Muller | E Major | 0 | 12B | 77 BPM |
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