"Zadok The Priest (Coronation Anthem No. 1, HWV 258)" by George Frideric Handel, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury had its release date on January 1, 1998. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The King's Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Zadok The Priest (Coronation Anthem No. 1, HWV 258) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zadok The Priest (Coronation Anthem No. 1, HWV 258) by George Frideric Handel, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I. | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 93 BPM | ||
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | A Major | 1 | 11B | 98 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Rinaldo / Act 3: Recitativo: Quivi par che rubella | George Frideric Handel, Daniel Taylor, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 2 | 3A | 131 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Rinaldo: Aria: Ogni tua bella stilla | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM |