"Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo" by Franz Schubert, Dong Hyek Lim was released on April 8, 2022. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Schubert: Piano Sonatas D. 959 & 960". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo by Franz Schubert, Dong Hyek Lim having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
30 Piano études, Op. 26: No. 2 in C Major, Moderato | Louise Farrenc, Maria Stratigou | C Major | 2 | 8B | 93 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第2曲 どこへ? | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 125 BPM | ||
Keyboard Sonata in F Minor, Kk. 238 | Domenico Scarlatti, Julius Asal | F Minor | 0 | 4A | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM | ||
Dolly Suite, Op. 56: VI. Le pas espagnol | Gabriel Fauré, Kathryn Stott, Martin Roscoe | D♭ Minor | 1 | 12A | 81 BPM | ||
Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM | ||
24 Jazz Preludes, Op. 53: No. 11 | Nikolai Kapustin, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
L'adieu Allegro molto agitato | Dai Sugimoto | A Minor | 1 | 8A | 61 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM |
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