Coral Salvé de Laredo's 'Himno del Racing de Santander - Versión Original' came out on January 3, 1982. The duration of Himno del Racing de Santander - Versión Original is about 3 minutes long, at 3:08. Based on our data, "Himno del Racing de Santander - Versión Original" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Coral Salvé de Laredo's "Himno del Racing de Santander (Versión Original)" album is number 1 out of 2. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Himno del Racing de Santander - Versión Original is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Himno del Racing de Santander - Versión Original by Coral Salvé de Laredo to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notre Pere, Op. 14 | Maurice Duruflé, The King's Singers | F Major | 1 | 7B | 128 BPM | ||
Cara Sposa - Live | Philippe Jaroussky, Ensemble Contraste | E Minor | 4 | 9A | 56 BPM | ||
If Ye Love Me | Thomas Tallis, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 79 BPM | ||
Mot Kveld, Op. 42 No. 7 | Agathe Backer Grøndahl, Sølvguttene | D♭ Major | 1 | 3B | 75 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Handel / Sargent: Messiah, HWV 56, Pt. 2: No. 41, Chorus, "Hallelujah" | George Frideric Handel, Huddersfield Choral Society/Herbert Bardgett/Royal Liverpool Philharmonic Orchestra/Sir Malcolm Sargent/Eric Chadwick, Sir Malcolm Sargent, Royal Liverpool Philharmonic Orchestra | D Major | 3 | 10B | 111 BPM | ||
Schubert: Ave Maria, D. 839 - Remastered | Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 2 | 5B | 83 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Major | 0 | 12B | 171 BPM |
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