"Glière: Concerto for Soprano Coloratura, Op. 82: I. Andante" by Reinhold Glière, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester was released on March 15, 1998. Since Glière: Concerto for Soprano Coloratura, Op. 82: I. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vocalises by Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester. The song's track number on the album is #9 out of 11 tracks. Glière: Concerto for Soprano Coloratura, Op. 82: I. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Glière: Concerto for Soprano Coloratura, Op. 82: I. Andante by Reinhold Glière, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Glière: Concerto for Soprano Coloratura, Op. 82: I. Andante being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Rain of Tears, RV 717 for Quartet in 6/8 Eb Minor: Allegretto | Antonio Vivaldi, Haein Lee | D Major | 7 | 10B | 180 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM |
Section: 0.6919121742248535
End: 0.6974241733551025