"Concert XLVIII: Le raporté - Passacaille du raporté - Chaconne raportée" by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken was released on October 1, 2011. With this song being about 5 minutes long, at 4:49, "Concert XLVIII: Le raporté - Passacaille du raporté - Chaconne raportée" by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Sainte Colombe: Concerts à deux violes esgales". In this album, this song's track order is #8. Concert XLVIII: Le raporté - Passacaille du raporté - Chaconne raportée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concert XLVIII: Le raporté - Passacaille du raporté - Chaconne raportée by Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gallardas | Rolf Lislevand, Santiago De Murcia | D♭ Minor | 1 | 12A | 78 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Improvisation [Harpsichord] | Il Giardino Armonico | E♭ Minor | 1 | 2A | 131 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM |
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