Benedict Randhartinger, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Rita-Lucia Schneider, Axel Kircher's 'Offertorium: Ad te levavi animam meam' had a release date set for September 5, 2013. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Norbert Ernst, Rita-Lucia Schneider, Axel Kircher, Annely Peebo, Marcus Pelz, Ingrid Haselberger, Regine Hangler, Martin Maier's "Missa Solemnis" album is number 11 out of 16. On top of that, Austria appears to be the country where this track was created. Offertorium: Ad te levavi animam meam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Offertorium: Ad te levavi animam meam by Benedict Randhartinger, Chorvereinigung St. Augustin, Robert Rieder, Orchester St. Augustin, Rita-Lucia Schneider, Axel Kircher to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Petite messe solennelle: XIII. Credo. Et resurrexit | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | B Major | 1 | 1B | 91 BPM | ||
Johannes-Passion, BWV 245.1: 25. Recitativo: Allda kreuzigten sie ihn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Songs on One Page, H. 294: No. 5, U maměnky | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Major | 1 | 7B | 179 BPM |