Øistein Sommerfeldt, Caroline Eidsten Dahl's 'Sonatina for treble recorder, Op. 47: I. Allegro' came out on December 9, 2014. With Sonatina for treble recorder, Op. 47: I. Allegro being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 19 in Blockbird (Norwegian Recorder Music) by Caroline Eidsten Dahl. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Sonatina for treble recorder, Op. 47: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatina for treble recorder, Op. 47: I. Allegro by Øistein Sommerfeldt, Caroline Eidsten Dahl is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring Tunes, Op. 44: No. 1, Tune For The Flute | Øistein Sommerfeldt, Per Øien | D Major | 0 | 10B | 80 BPM | ||
Sacra Partitura for Bassoon, Violin and Basso Continuo: Sonata sopra la Monica | Philip Friedrich Böddecker, Bram van Sambeek, Maria-Paula Majoor, Rick Stotijn | D Minor | 1 | 7A | 95 BPM | ||
Silia valssi mollissa for String Orchestra | Wiljami Niittykoski, Ostrobothnian Chamber Orchestra, Kreeta-Maria Kentala | G Minor | 1 | 6A | 146 BPM | ||
Varlater (Spring Tunes), Op. 44: III. Lys varmorgen [Spring Morning] | Øistein Sommerfeldt, Gunilla von Bahr | A Minor | 0 | 8A | 90 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Andante | Antonio Capuzzi, Philip Catilinet, David Zerkel, Paolo Andre Gualdi | B♭ Major | 0 | 6B | 63 BPM | ||
L'arte dell'arco, B.F11: Variazione No. 47 (Transcr. and embellishments by Luca Astolfoni Fossi) | Giuseppe Tartini, Claudio Ferrarini | C Minor | 1 | 5A | 109 BPM | ||
Oboe Sonata, FP 185: I. Elegie: Paisiblement | Francis Poulenc, Allan Vogel, Bryan Pezzone | G Major | 0 | 9B | 76 BPM | ||
6 Studien in kanonischer Form, Op. 56: I. Nicht zu schnell | Robert Schumann, Céline Moinet, Florian Uhlig, Norbert Anger | C Major | 1 | 8B | 74 BPM |
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